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The most heartening thing about this, the latest from writer-director Mike Mills Beginners , , is that it shores up the notion that independent cinema in America may not be dead, or as close to death as we had suspected. We are currently emerging from a period wherein it was difficult not to feel overwhelmed by tent-poles and franchises and Marvel monsters and an endless abattoir of serials. But the recent past — yes, I know, everybody seems to be saying that was a banner year but let's try not to get too excited — has brought us a decent serving of low to mid-budget movies of the type we came to expect in the halcyon days of the s. They are intimate, personal stories, explorations of style, ambitious, expressive artwork that doesn't require a nine-figure budget or a legion of programmers to be effective. So it would be easy to assume that the era of widely-released independent movies was a bygone one, ground to dust by the wheels of commerce, like so many other things we were once hopeful about. But such is apparently not the case, at least for the moment. As the just-released Academy Award nominations would indicate, the national cinematic appetite is, to some extent, a self-righting system: Little movies with something to tell and show us are surfacing with seemingly ever-greater frequency, and their audience is finding them. And even though I can't say I love it, or even particularly enjoyed it, its existence—the fact that people will actually go out to see it!
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The presenter couldn't resist asking the unsuspecting guest "Alice, Alice? A woman decided to prove her mum's boyfriend was cheating on her by ' catfishing ' him claiming to be a woman called 'Alice'. Jeremy Kyle revealed it was "a first" for him when he decided to interview his unsuspecting guest and then surprise him with his online love interest - only for him to discover it was his girlfriend's daughter Gina.
